BIO
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Douglas Breault (pronounced 'bro') is an interdisciplinary artist who overlaps elements of photography, painting, sculpture, and video. His work has been collected, published, and exhibited nationally and internationally, including at the Museum of Fine Arts Boston, the Czong Institute for Contemporary Art (South Korea), Space Place Gallery (Russia), the Bristol Art Museum, the Rochester Museum of Fine Arts, Amos Eno Gallery, and VSOP Projects. Breault has been an artist in residence at MassMoca and AS220, and was awarded the Montague Travel Grant to study in London and Paris in 2017. Douglas is a professor of art at Babson College and Bridgewater State University, and he has been a guest critic at MassArt, Wellesley College, Kansas City Art Institute, and the Slade College of Art, among others. He has been a contributing writer for publications including the Boston Art Review, Lenscratch, the Harvard Art Museum, and the Bridgewater Review, and he is the Exhibitions Director at Gallery 263 in Cambridge, MA where he organizes and curates exhibitions. He received his MFA from the School of the Museum of Fine Arts at Tufts University and a BA in Studio Art from Bridgewater State University, and he currently divides his time between Boston, MA and Providence, RI.
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ARTIST STATEMENT
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I freely misapply traditional artistic methods of photography, painting, and sculpture by purposely misaligning materials and connecting disparate fragments to navigate the fallacies of personal memory, tensions of fatherhood, and the intangible aspects of life and death that keep me up at night. Materiality is essential to develop my ideas, subordinating form to process, to navigate an understanding of uncertain aspects of truth and change. This process enlists archival images, inherited objects, and merging materials and photographs to coalesce to reveal a new image. I lost my father to suicide when I was eighteen years old. This initiated my interest in artmaking as a means of considering how absence and imagination meet when memory fails to accurately recall. My curiosity questions the limitations of a photograph to accurately depict a life, contemplating how an image can be unfolded or obscured to describe a person or place that is paradoxically missing.
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CONTACT
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instagram : @dug_bro
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LINKS
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Essay, "Photographic Memories", Bridgewater State University
Review, "Douglas Breault at Carole Calo Gallery", Michael Rose
Interview, "Ryan Arthurs in Conversation with Douglas Breault", Lenscratch
Interview, "Jodie Mim Goodnough in Conversation with Douglas Breault", Lenscratch
Interview, "Mariah Robertson in Conversation with Douglas Breault", Lenscratch
Interview, "Mitchell Squire in Conversation with Douglas Breault", Lenscratch
Interview, "Toni Pepe in Conversation with Douglas Breault", Lenscratch
Interview, I Like Your Work Podcast
Essay, "A Shot in the Dark", The Bridgewater Review
Artist Profile, "A Shot in the Dark", Lenscratch
Artist Profile, "A Shot in the Dark", Aspect Initiative
Review, GoLocal Providence, "Extravagant Chemistry, Anatomies of Painting"
Artist Profile, Studio Visit Magazine, vol. 49
Artist Profile, Ain't Bad Magazine
Artist Profile, Blazing Editions
Interview, Fine Art Insight Podcast
Interview, "Sleepwalking Through The Camera", Boston Hassle
Interview, "Fact vs. Fiction at Gallery 263", Boston Hassle
Press Release, "Truth & Transformation" Coastal Contemporary Gallery
Review, Artscope Magazine, "Soft Focus"
Exhibition Catalog, Stonehill College "Double Take"
Exhibition Catalog, Boston Center for the Arts, "Flowers Don't Ask To Be Picked"
Review, "Futureland", The Daily Free Press
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